At our Torana An Fu Lu store in Shanghai we have a show ongoing of Chinese silk textile fragments. These range from small pieces like the red silk brocade fragment shown here at far left, up to a complete silk tapestry robe panel from around 1800.
Most of these pieces I've collected in Tibet over the last decade during my regular trips to our workshop in Lhasa. The association between Tibet and Chinese silk textiles might not seem an obvious one at first sight, but in fact it's one of the best places to find old silk, particularly earlier pieces from the Ming dynasty (1353-1644) that interest me most. Chinese silk was used in Tibetan ceremonial robes, altar cloths and other items, and the state of preservation in Tibetan temples is usually better than that found in other parts of China.
As a rug designer, I'm particularly interested in the Ming fragments since they show some of the best characteristics of Ming design: bold designs, a fondness for flowing curves and generous shapes, a nice balance of "figure" and "ground" and a certain freedom and experimentation that is often lacking in designs from later periods.
Cloud designs from this period are a particular favorite of mine, and something I've used in carpet designs for Torana. As an example, I've included a fragment of a red silk cloud brocade that originally formed part of a Tibetan lama's robe, with a Torana rug design (below) that is based on similar cloud shapes. The colors in the carpet design are not characteristically Chinese though, the blue tones on a red ground were inspired by Indonesian batiks (another story entirely).
Textile designs from the Ming period remained fashionable in the early part of the Qing dynasty (17th century), but were replaced at the Chinese court in Beijing by new decorative styles from the 18th century onwards.
The An Fu Lu store show will run during September and October 2008. A map and contact details for our store are at this link.
Most of these pieces I've collected in Tibet over the last decade during my regular trips to our workshop in Lhasa. The association between Tibet and Chinese silk textiles might not seem an obvious one at first sight, but in fact it's one of the best places to find old silk, particularly earlier pieces from the Ming dynasty (1353-1644) that interest me most. Chinese silk was used in Tibetan ceremonial robes, altar cloths and other items, and the state of preservation in Tibetan temples is usually better than that found in other parts of China.
As a rug designer, I'm particularly interested in the Ming fragments since they show some of the best characteristics of Ming design: bold designs, a fondness for flowing curves and generous shapes, a nice balance of "figure" and "ground" and a certain freedom and experimentation that is often lacking in designs from later periods.
Cloud designs from this period are a particular favorite of mine, and something I've used in carpet designs for Torana. As an example, I've included a fragment of a red silk cloud brocade that originally formed part of a Tibetan lama's robe, with a Torana rug design (below) that is based on similar cloud shapes. The colors in the carpet design are not characteristically Chinese though, the blue tones on a red ground were inspired by Indonesian batiks (another story entirely).
Textile designs from the Ming period remained fashionable in the early part of the Qing dynasty (17th century), but were replaced at the Chinese court in Beijing by new decorative styles from the 18th century onwards.
The An Fu Lu store show will run during September and October 2008. A map and contact details for our store are at this link.
